SECTION ONE
sm
COLUMN
106,
JUNE 1, 2004
(Copyright © 2004 The Blacklisted Journalist)
ABACADABRA!
DAVID AMRAM MAKES ME A LIVING LEGEND AT MY N.Y.
BOOKSIGNING PARTY!
DAVID AMRAM AT THE MICROPHONE OF THE BOWERY POETRY CLUB
(Photo by Myles Aronowitz)
(Copyright - 2004 Myles Aronowitz)
Although people used to
tell me I was a living legend back when I was writing my POP SCENE column for
the New York Post, it wasn't until David Amram led the packed house in
chanting "A-R-O-N-O-W-I-T-Z? at my Bowery Poetry Club Booksigning Party last
May 27 that I began to feel like a living legend.
Dave is that kind of
miracle maker. With a song, a smile and a wave of his hand, he can make a
76-year-old schmuck like me feel like a giant. I doubt that he's ever had a
platinum record, but he's become a shining beacon in the music universe. Known
around the world among those magicians who make music, David Amram is an
international superstar. After outshining me at my own party, he left to give
performances in China.
He's written operas,
concertos, symphonic music, movie scores, has his own jazz band, sings rap songs
that he makes up on the spot and is a master of almost every musical instrument
known to man. In front of an audience, he's a one-man show. He certainly stole
the show at my Booksigning Party. But I didn't mind that he stole my show.
That's why I asked him to be there. Dave has become a BIG attraction. As part
of the show, he guarantees a larger audience.
Did you ever hear that old
joke about the customer who says to the old-time Jewish candy store owner
standing behind his soda fountain: "Make me a malted?? So, the store owner
says: "Abacadabra, you're a malted!" Well, abacadbra, Dave made me a
living legend. How could I help but feel like one?
Dave improvised rap songs
all over the place. He calls his brand of rap 'spontaneous bop prose," a
genre founded by Beat Saint Jack Kerouac, who was also a friend of Dave. At my
Booksigning party, Dave conjured up rap introductions to almost every tune he
played. When I arrived at the club, he'd already taken over and was directing
things. But then, I'd asked Dave to act as master-of-ceremonies.
I'd wanted to get to the
Bowery Poetry Club early so I could set up a booksigning display. I also had
flyers I wanted to give to everybody. But instead of getting there early, I was
held up by traffic and got there late. The party was scheduled to begin at seven
and another event was scheduled at the club at nine, but I didn't get there
until seven sharp. And, from then on in, the whole party became a big blur to
me. I felt confused, bewildered. I didn't even recognize all the old friends
that showed up.
When it came time for me to read from my book, BOB DYLAN AND THE BEATLES, I donned the kyrta given me by my guest star from India, Babukishan Das, the Bengali Baul who's become an Indian pop star. One lady who I especially wanted to impress walked in late said she thought I
Does
anyone want to buy
a two-disc recording
of the show?
was wearing a dress. I said
this was the first time I'd ever worn a dress. She said she was impressed
anyway. So was I, especially after the crowd started joining in on repeating the
refrain of Dave's improvised spontaneous bop prose: "A-R-O-N-O-W-I-T-Z." I
even found myself joining in. It's a long name. It goes all the way from A to
Z.
As Dave said during the
show, he's been in New York more than 40 years. And, as I recall, Dave and I
have been friends for most of that time. I'm listening to a recording of the
show at this very moment and although I sound like Mumbles when I'm reading
from my book, the music screams "HIT!" into my ears. The music is
like nothing that I or anyone else has ever heard before. It's so good, I want
to make a lot of copies, put labels on them and sell them. Does anyone
out there want to buy a two-disc set?
The band included my old
friend, Hayes Greenfield, a sax virtuoso. Then there was John DeWitt on bass and
Kevin Twigg on drums. Wendy Oxenhorn's harmonica playing was as beautiful as
she looked. In fact Wendy looks so beautiful that she makes me regret my age.
She also brought along guitarist John Kruth to replace Ladell McLin, who was
originally booked for the gig. And, of course, there was Babukishan, known to
friends like me as Babu. You can hear how well the musicians played together on
the recording of the show.
I don't mean to denigrate
the others in the band by focusing my attention on Dave, but the recording
emphasizes how he focused his attention on me. It was during the show that Dave
mentioned how my POP SCENE columns chronicled the music and the musicians at the
end of the "60s and the start of the "70s. He indicated that they were
timeless pieces of writing and should be resurrected for the future to read. In
Dave's honor, this issue of THE BLACKLISTED JOURNALIST includes two RETROPOP
SCENES written about Dave.
The first, entitled THE EGG CREAM EVENT, was written January 11, 1971. The second, called THE COSMIC GOURMET DELIGHT was first written November 22, 1971. ##
THE BAND AT THE AL ARONOWITZ BOOKSIGNING PARTY---FROM LEFT: DAVID
AMRAM, JOHN DEWITT, BABUKISHAN DAS, HAYES GREENFIELD, KEVIN TWIGG, JOHN KRUTH.
(WENDY OXENHORN HAD LEFT WHEN PICTURE WAS TAKEN)
(Photo by Myles Aronowitz)
(Copyright - 2004 Myles Aronowitz)
FOR
AS LONG AS PEOPLE KEEP
IN THIS 615-PAGE PAPERBACK, AL ARONOWITZ, ACCLAIMED AS THE "GODFATHER OF ROCK JOURNALISM", TELLS YOU MORE ABOUT BOB DYLAN AND THE BEATLES THAN ANY OTHER WRITER CAN TELL YOU BECAUSE NO OTHER WRITER WAS THERE AT THE TIME. AS THE MAN WHO INTRODUCED ALLEN GINSBERG TO BOB DYLAN, BOB DYLAN TO THE BEATLES AND THE BEATLES TO MARIJUANA, ARONOWITZ BOASTS, "THE '60S WOULDN'T HAVE BEEN THE SAME WITHOUT ME."
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